EUROVISION’S
100
MOST ESSENTIAL SONGS
(1956-2015)
Now that the dust has settled on another fabulous Eurovision
Song Contest, it’s time to look back on the most important and influential
songs that have competed over the last 60 years. All of the winning songs are
included, as well as other noteworthy entries from the most watched music
contest in the world.
#55
ERES TU
MOCEDADES
Spain -1973
The sextet Mocedades hailed
from Bilbao and performed Spain’s entry in 1973. The catchy title came a close
2nd. In 3rd position was Cliff Richard singing for the
UK. He was beaten again by a Spanish song (this time, by 2 points- instead of 1
as he had been in 1968).
#54
DIGGI-LOO, DIGGI-LEY
THE HERREYS
Sweden -1984
A group of Swedish Mormons
claimed 1st prize in 1984. Again, its nonsensical title attracted
criticism. But there was no denying its catchy hook. The colourful presentation
by the 3 brothers helped make them memorable, despite performing first on the
night. This became Sweden’s 2nd win. Finally, the country could
prove ABBA’s win 10 years prior had been no fluke.
#53
LANE MOJE
ZELJKO JOKSIMOVIC & Ad Hoc Orchesta
Serbia & Montenegro -2004
2004 saw the debut of Serbia
& Montenegro at Eurovision. Together, their entry was a Balkan ballad that
earned the best result for any country’s 1st time appearance. It
also proved that a quality song with no frills, relying solely on its aural
strengths, could perform well.
#52
APRES TOI
VICKY LEANDROS
Luxembourg -1972
Vicky Leandros was born in
Greece, but twice represented Luxembourg. Her initial attempt saw her finish 4th
in 1967 with the ESC classic “L’ Amour Est Bleu”. She returned in 1972. This
time, she finished in 1st place with “Apres Toi” (meaning “after
you”). This marked the last year when countries had to perform in a national
language, although this rule was re-introduced in later years until it was relaxed
in 1999. Today, countries are unrestricted in choice of language.
#51
OOH AAH… JUST A LITTLE BIT
GINA G
United Kingdom -1996
Australian Gina G arrived at
Eurovision as the favourite in 1996, representing the UK with a hi-energy dance
track. Its poor finish (in 8th position) was strong evidence that
leaving the decision of selecting a winner to judges was an unreliable method
of reflecting the viewing public’s tastes. Tele-voting would be introduced the
following year.
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