Wednesday, July 1, 2020

THE 200 MOST ESSENTIAL GIRL GROUP SONGS.
This post: #60-51. Continues tomorrow.
 Caffè Lattè presents the…

100 MOST ESSENTIAL
GIRL GROUP SONGS

60
Sister Sledge - Thinking Of You (1984, Vinyl) | Discogs
Thinking Of You
SISTER SLEDGE
This American family act did not score significant success until they were teamed with Chic’s Bernard Edwards and Nile Rodgers. The 2 men crafted songs that have become radio staples. This particular track was different in that it was slower and displayed another side of the sisters. It was initially included on the 1979 album ‘We Are Family’ but was issued as a single 5 years later in Britain where it reached #11.
59
Spice Girls - Say You'll Be There.png
Say You’ll Be There
SPICE GIRLS
In 1996, this was selected as the follow-up to the British girl group’s debut smash “Wannabe”. When it raced up the charts around the planet, it proved the debut hit was no fluke. This second single topped the British and European charts. In the U.S.A., the disc peaked at #3.
58
The Marvelettes - Too Many Fish In The Sea Artwork (1 of 1) | Last.fm
Too Many Fish In The Sea
THE MARVELETTES   
A 1964 single recorded by 2 of Motown’s rising stars among songwriters: Norman Whitfield and Eddie Holland. The former also produced the track, which climbed to #25 on the Billboard Hot 100.
57
All Saints - Pure Shores.png
Pure Shores
ALL SAINTS
The inclusion of this song in the Leonardo DiCaprio film ‘The Beach’ helped raise its profile to the public. In 2000, the single reached #1 in the UK, #2 in New Zealand, #3 in Europe and #4 in Australia. It was written by group member Shaznay Lewis and producer William Orbit.
56
Banana v.jpg
Venus
BANANARAMA
This remake marked the beginning of a new phase for the trio. It was the first time the British girl group collaborated with producers Mike Stock, Matt Aitken and Pete Waterman. Of all the hits they recorded with the SAW team, “Venus” proved to be the biggest: reaching #1 in America, Australia and New Zealand. The cover of Shocking Blue’s 1969 song also made the Top 10 in Britain, Canada and Europe.
55
The Shangri-Las – Remember (Walking in the Sand) – PowerPop… An Eclectic  Collection of Pop Culture
Remember
(Walking In The Sand)
THE SHANGRI-LAS
This 1964 single reached #5 in America and #14 in the UK. It features a then unknown Billy Joel on keyboards. It was co-produced by Brill Building songwriter Jeff Barry.
54
PointersJump.jpg
Jump (For My Love)
POINTER SISTERS
The Pointer women proved they could master a wide range of musical genres. Most of the trio’s 1980s output was dance-oriented. “Jump” was one of the best examples from that period in the group’s evolution. In 1984, it was lifted off the previous year’s album ‘Break Out’. The single was a Top 10 smash in America, Britain, Canada, parts of Europe, Australia and New Zealand.
53
45cat - The Crystals - Little Boy / Uptown - London - Germany - DL 20 747
Uptown
THE CRYSTALS
Barry Mann and Cynthia Weil’s song was originally tried on Little Eva. Producer Phil Spector did not think her rendition nailed the song. Once The Crystals had applied their girl group magic, it was finally ready for the world. In 1962, the disc was a Top 20 hit on the US Pop and Soul charts.
52
Four pictures of four women placed in a multicolor background. The words "Bangles" and "Manic Monday" are written in white capital letters. The upper left photo contain a woman with white face and black hair. The upper right photo is about a red-haired woman. The girl of the third picture, located lower left, is blonde, while the girl of the lower right is a brunette.
Manic Monday
THE BANGLES
The ‘Christopher’ this song is credited  to was a nom de plume used by Prince. He wrote it for The Bangles. In 1986, it became the breakthrough disc for the girl group; reaching #2 on the American, British and Canadian charts.
51
Diana ross & the supremes - someday.png
Someday We’ll Be Together
DIANA ROSS & THE SUPREMES
Motown was waiting for the right moment for Diana Ross to sever her ties with The Supremes. This single proved to be it: a fitting swan song to mark the end of the 1960s and the last of a dozen US #1 singles for the group. The reality is that Mary Wilson and Cindy Birdsong were not even invited to the recording session. Ross was the only Supreme present, the backing vocals heard on the track were performed by co-writer Johnny Bristol and Motown girl group The Andantes. Bristol also produced this version.
CRITERIA:
Songs by groups or duos that only include female members and released in the Rock Era (i.e. since 1955).

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